Course Description
Open to: 7, 8, 9 One-Semester Course
Prerequisite: None
Content: Students will continue to progress as musicians and consumers of music.
They will learn grade level appropriate music theory, vocabulary, technique,
and be able to play through sequenced learning activities. Students will prepare
and perform for classroom activities.
Philosophy
The Music Department’s
philosophy is based on the belief that experiences
with music are fundamental to the education of children.
Music has a powerful ability to affect the hearts,
minds, and souls of our children. It gives students
the opportunity to gain self-esteem by learning new
skills and talents. It also gives students the sense
of satisfaction that comes from working with a group
to perform and create a piece of music with beauty
and unity. Recent brain research shows music can
tremendously boost the efficiency and performance
of the brain. Music is a powerful purveyor of culture,
both American and other world cultures. In today’s
increasingly global society, knowledge of other peoples
and cultures, as well as our own past, is a necessary
part of a good education.
Copyright
Resources
Piano Resource
References
Course Scope
| Unit 1 |
Music Language and Symbols |
Ongoing |
| Unit 2 |
Reading and Notating Music, Music
Literacy |
Ongoing |
| Unit 3 |
Rehearsal and Performance |
Ongoing |
| Unit 4 |
Music History |
Ongoing |
Assessment
Correlation acronyms key
Music Department web
site
Level of Experience:
B) Basic – entry level.
I) Intermediate – one to two semesters of piano experience.
A) Advanced – three or more semesters of piano experience.
|
Unit
1 |
Music Language and
Symbols |
Ongoing |
|
Instructional Objective
1084.01 Students will demonstrate understanding
of the names and functions of musical words
and symbols. |
Standard Reference
N-2: a 5: a, b, c, d, e 6: b
6-8.Mu.2.1.2
9-12.Mu.2.1.2 |
|
No.
|
Performance Objective |
Resource Reference |
Assessment Correlation |
|
01 |
Recognize, define
and notate the following symbols:
B) staff, double-bar, repeat sign, bass/F clef, treble/G clef, bar line,
measure, sharp, flat, natural, grand staff, system
I) first/second endings, da capo, dal segno, coda, fine, piano brace |
Alfreds Basic Adult Piano Course,(ABA)
Faber Adult Comprehensive Piano Course
(FAC)
Fundamentals of Piano Theory (FPT) |
TMA, TO |
|
02 |
Recognize, define and notate the following note
and rest values:
B) whole, half, quarter, eighth and sixteenth
I) dotted half, dotted quarter, dotted eighth, tied notes
A) dotted whole, dotted sixteenth, triplet |
ABA
FAC
FTP |
TMA, TO |
|
03 |
Recognize, define and notate the following dynamic
symbols and terms:
B) pp, p, mp, mf, f, ff, crescendo, decrescendo, diminuendo
I) Apply markings of musical expression as they appear in the score during
sight reading |
ABA
FAC
FTP
|
TMA, TO |
|
04 |
Recognize, define and notate the following articulations:
B) staccato, slur, legato, phrase mark, accent
I) heavy accent, caesura, marcato, tenuto, fermata, rubato, fortepiano,
subito
A) Apply markings of musical expression as they appear in the score during
sightreading |
ABA
FAC
FTP |
TMA, TO |
|
05 |
Recognize, define and notate the following time
signatures/meters:
B) simple meters, 2/4, 3/4, 4/4 (common time) 2/2 (cut time)
I) compound meters, 3/8, 6/8, 9/8, 12/8.
A) mixed meters |
ABA
FAC
FTP |
TMA, TO |
|
06 |
Recognize, define and notate the following tempo
terms:
B) tempo, a tempo, allegro, andante, moderato, adagio, accelerando, ritardando
I) vivace, presto, lento, largo, rallentando
A) maestoso, prestissimo, allegretto, grave |
ABA
FAC
FTP |
TMA, TO |
|
07 |
Recognize and define the following musical terms:
B) form, score, 8va, pedal markings
I) dolce, espressivo, solo, duet
A) polyphonic, monophonic, homophonic, rondo, concerto, strophic, accompaniment |
ABA
FAC
FTP |
TMA, TO |
|
Back to Top |
|
Unit
2 |
Reading and Notating
Music, Music Literacy |
Ongoing |
|
Instructional Objective
1084.02 Students will be able to demonstrate
understanding of the reading and notating of
music. |
Standard Reference
N-4: a 5: a, b, c, d, e 6: b
6-8.Mu.3.1.2, 6-8.Mu.3.1.3, 6-8.Mu.3.2.1, 9-12.Mu.3.1.3, 9-12.Mu.3.1.2 |
|
No.
|
Performance Objective |
Resource Reference |
Assessment Correlation |
|
01 |
Specific Learning Objective (Application) |
|
|
|
02 |
Name scale degrees and pitches for the eight
tones of the scale
B) tetrachord
I) step pattern for major scale
A) minor scales: natural,
melodic, harmonic
add chromatic scale degrees |
ABA
FAC
FTP
|
TMA, TO |
|
03 |
B) Identify the major key signatures up to four
flats or four sharps
I) Identify all the major key signatures
A) Identify all the relative minor key signatures |
ABA
FAC
FTP |
TMA, TO |
|
04 |
B) Identify and play intervals: step, skip,
2nd, 3rd, 4th,
5th ,6th ,7th,
octave, harmonic and melodic
I) Identify visually and aurally the major and perfect intervals from
unison to the octave
A) Identify visually and aurally the minor intervals and triton |
ABA
FAC
FTP
|
TMA, TO |
|
05 |
Define the significance of the numbers in a
time signature |
ABA
FAC
FTP |
TMA, TO |
|
06 |
Identify aurally whether the music is major
or minor |
ABA
FAC
FTP
|
TMA, TO |
|
07 |
Demonstrate an understanding of the ratios presented
in the rhythm tree |
ABA
FAC
FTP
Teacher demonstration |
TMA, TO |
|
08 |
B) Write out simple rhythmic dictation for examples
in 4/4 and label with counting syllables
I) Write out rhythmic dictation for examples in 2/4, 3/4 and label with
counting syllables
A) Write out rhythmic dictation for examples in 6/8 and label with counting
syllables |
ABA
FAC
FTP
Teacher demonstration |
TMA, TO |
|
09 |
B) Clap, tap, play or sing counting patterns
in 4/4
I) Clap, tap, play or sing counting patterns in 2/4, 3/4
A) Clap, tap, play or sing counting patterns in 6/8
|
ABA
FAC
FTP
Teacher demonstration |
TMA, TO |
|
10 |
Identify the following parts of a score: title,
composer, arranger, publisher, copyright information,
voicing, accompaniment, key, meter, dynamics
and articulations |
ABA
FAC
FTP
Teacher demonstration |
TMA, TO |
|
11 |
Notate simple melodic dictation appropriate
to level of learning |
ABA
FAC
FTP
Teacher demonstration |
TMA, TO |
|
12 |
B) Demonstrate conducting in 2/4, 3/4 and 4/4
I) Demonstrate conducting of 6/8
A) Demonstrate preparatory beat and cut off |
Teacher demonstration |
TMA, TO |
|
13 |
Recognize the role of form in music |
Selected repertoire |
TO |
|
14 |
Recognize the make-up and function of a chord
B) Major triads (I, IV, V7), block chords and broken chords
I) Inversion, triads on each scale degree
A) 7ths, diminished, augmented
|
ABA
FAC
FTP
Teacher demonstration |
TMA, TO |
|
Instructional Objective
1084.03 Students will demonstrate the following
rehearsal and performance objectives. |
Standard Reference
N-1: a, b, c, d e 3: b 5: a, b c, d,
e
9-12.Mu.3.1.2, 9-12.Mu.3.2.2, 9-12.Mu.3.2.3, 9-12.Mu.3.3.3, 6-8.Mu.3.2.3,
6-8.Mu.3.2.2 |
|
No.
|
Performance Objective |
Resource Reference |
Assessment Correlation |
|
01 |
Identify and label the keys on a piano keyboard
B) Basic understanding of the parts of a piano: keyboard, pedals
I) Identify enharmonic pitches |
ABA
FAC
Teacher demonstration
Recital performance |
TMA, TO |
|
02 |
Demonstrate the correct physical posture while
sitting at the keyboard |
ABA
FAC
Teacher demonstration
Recital performance |
TMA, TO |
|
03 |
Demonstrate the proper hand position
B) finger numbers, primary 5-finger position
I) extended hand position
A) principals of fingering |
ABA
FAC
Teacher demonstration
Recital performance |
TMA, TO |
|
04 |
Demonstrate techniques of staccato and legato
playing |
ABA
FAC
Teacher demonstration
Recital performance |
TMA, TO |
|
05 |
Demonstrate playing with all levels of dynamics |
ABA
FAC
Teacher demonstration
Recital performance
|
TO |
|
06 |
Demonstrate knowledge of tempo using a steady
beat |
ABA
FAC
Teacher demonstration |
TO |
|
07 |
Demonstrate playing with musicality as well
as technical accuracy creating an aesthetic experience
for the performer and the audience |
Selected repertoire
Recital performance |
TMA, TO |
|
08 |
Participate appropriately as a performer and
audience member in a concert situation, including
concert dress and behavior |
Recital performance |
TO |
|
09 |
Apply markings of musical expression as they
appear in the musical score |
Selected repertoire |
TMA, TO |
|
10 |
Evaluate musical performances by critiquing
basic music concepts |
Recital performance
Selected Video performance |
TMA, TO |
|
Instructional Objective
1084.04Students will identify style, composers
and important musical characteristics from
the six major time periods of music history. |
Standard Reference
N-6: a, b 8: a, b 9: a, b, c
9-12.Mu.1.1.1, 9-2.Mu.1.1.2, 9-12.Mu.1.1.3, 9-2.Mu.1.1.4, 9-12.Mu.1.2.1,
9-2.Mu.1.2.2, 6-8.Mu.1.1.1, 6-8.Mu.1.1.2, 6-8.Mu.1.1.3, 6-8.Mu.1.1.4,
6-8.Mu.1.2.1, 6-8.Mu.1.2.2
|
|
No.
|
Performance Objective |
Resource Reference |
Assessment Correlation |
|
01 |
B) Identify the names and dates of the six major
time periods of music history: Medieval, Renaissance,
Baroque, Classical, Romantic, 20th Century
I) Identify one or more composers from each time period
A) Identify two or more important musical characteristics from each time
period |
An Illustrated History of Music for Young
Musicians
Accent on Composers |
TMA, TO |
|
02 |
Identify aural musical examples from each time
period |
Teacher demonstration |
TMA, TO |
|
03 |
Play music from different cultures and historical
periods with correct stylistic characteristics |
Selected repertoire |
TMA, TO |
|
04 |
Identify important people and world events that
occurred during the musical time periods |
An Illustrated History of Music for Young
Musicians |
TMA, TO |
|
05 |
Identify characteristics of style, ie: Classical,
folk, jazz, rock, blues, ragtime |
Selected repertoire and listening |
TMA, TO |
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