Music - Mixed Choir
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District Course #1071 |
Course Description
Open to: 10, 11, 12 One-Year Course
Prerequisite: Instructor Approval
Content: Students will perform and prepare for A Cappella Choir
and will participate in festivals, school programs, and citywide
concerts.
Course Scope
First Semester
| Unit 1 |
Music Language and Symbols |
| Unit 2 |
Reading and Notating Music, Music Literacy |
| Unit 3 |
Rehearsal and Performance |
| Unit 4 |
Music History |
Second Semester
| Unit 5 |
Music Language and Symbols |
| Unit 6 |
Reading and Notating Music, Music Literacy |
| Unit 7 |
Rehearsal and Performance |
| Unit 8 |
Music History |
Download this curriculum
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Assessment Correlation acronyms key
Note: Standard References with the letter N denote
a reference to the National Standards. Those without a letter are
references to the Idaho State Standards. |
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Unit 1`
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Music Language and Symbols |
Semester 1 |
|
Instructional Objective
1071.01 Students will demonstrate understanding of the names
and functions of musical words and symbols. |
Standard Reference
N-5: a, b, c, e
973.01a |
|
No. |
Performance Objective
|
Resource Reference |
Assessment Correlation |
|
01 |
Recognize, define and notate the following symbols as they relate
to music: staff, doublebar, repeat sign, bass/f clef, treble/G
clef, bar line, measure, sharp, flat, natural, grand staff |
Master-works Press Sightreading series; Music Language and Fundamentals,
Gretz |
TMA
TO |
|
02 |
Recognize, define and notate the following note and rest values:
whole, dotted half, half, dotted quarter, quarter, eighth and
sixteenth note |
Erev Shel Shoshanim, Hadar |
|
03 |
Recognize, define and notate the following symbols and terms:
pp, p, mp, mf, ff, crescendo, decrescendo, diminuendo, fermata,
first and second ending, da capo, coda, tie |
O My Luve’s Like a Red, Red Rose, Dickau |
|
04 |
Recognize, define and notate the following articulations: staccato,
slur, legato, phrase mark, accent |
Dona Nobis Pacem, Palestrina Ching-A-Ring Chaw,
Copland/Fine |
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Unit 2
|
Reading and Notating Music, Music Literacy
|
Semester 1 |
|
Instructional Objective
1071.02 Students will be able to demonstrate understanding
of the reading and notating of music. |
Standard Reference
N-4: a, 5: a, b,
c, d, e, 6: b
973.01a, 973.03a |
|
No. |
Performance Objective
|
Resource Reference |
Assessment Correlation |
|
01 |
Name notes by pitch two ledger lines on either side of the staff |
Masterworks Press Sightreading series |
TMA |
|
02 |
Name scale degrees and solfege pitches for the eight tones of
the scale |
Music Language and Fundamentals, Chapter 1 |
TMA
TO |
|
03 |
Name the enharmonics for all pitches |
Music Language and Fundamentals, Chapter 2 |
|
04 |
Name the major signatures up to four flats or four sharps |
Music Language and Fundamentals, Chapter 5 |
|
05 |
Identify aurally the intervals of unison, M3, P4, P5, P8 |
|
|
06 |
Define the significance of the numbers in a time signature |
Music Language and Fundamentals, Chapter 3 |
|
07 |
Demonstrate an understanding of the ratios presented in the
rhythm tree |
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|
08 |
Write out rhythmic dictation for examples in 2/4, 3/4, 4/4 meters
and label with counting syllables |
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09 |
Clap, tap, play or sing counting patterns in 2/4, 3/4 or 4/4
meters |
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10 |
Recognize, define and notate the following parts of an octavo:
title, composer, arranger, publisher, copyright information,
voicing, accompaniment, key, time, meter, dynamics and articulations |
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Unit 3
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Rehearsal and Performance
|
Semester 1 |
|
Instructional Objective
1071.03 Students will demonstrate the following rehearsal
and performance objectives. |
Standard Reference
N-1: a, b, c, f, 2:
b, 5: a, b
975.02a |
|
No. |
Performance Objective
|
Resource Reference |
Assessment Correlation |
|
01 |
Demonstrate the correct singing posture in both sitting and
standing positions |
|
TMA
TO |
|
02 |
Demonstrate the proper breathing for singing |
Panis Angelicus, Palestrina/ Biedermann |
|
03 |
Correctly sing the 5 primary vowel sounds, 8 secondary vowel
sounds and the 5 diphthongs of the English language |
I’m Goin’ Up a Yonder, Hawkins/Read |
|
04 |
Demonstrate sightsinging unison and two part exercises in major
keys up to four sharps and four flats |
Masterworks Press Sightreading Series |
|
05 |
Participate appropriately as a performer and audience member
in a concert situation, including concert dress and behavior |
|
|
Instructional Objective
1071.04 Students will identify style, forms and important
musical characteristics from the six major time periods of
music history. |
Standard Reference
N-6: a, b, 8:
a, b, 9: a, b, c
971.01a, 971.02a, 973.01a |
|
No. |
Performance Objective
|
Resource Reference |
Assessment Correlation |
|
01 |
Identify and demonstrate understanding of the six major time
periods of music history (Medieval, Renaissance, Baroque, Classical,
Romantic, and 20th Century) |
Music! It’s Role and Importance in Our Lives, Fowler, Chapter
23-25 |
TMA
TO |
|
02 |
Identify and demonstrate understanding of the most important
musical characteristics from each time period |
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03 |
Identify and demonstrate understanding of musical forms, genres
and textures from each time period |
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Unit 5
|
Music Language and Symbols |
Semester 2 |
|
Instructional Objective
1071.05 Students will demonstrate understanding of the names
and functions of musical words and symbols. |
Standard Reference
N-5: a, b, c, e, 6: b
973.01a, 975.02a |
|
No. |
Performance Objective
|
Resource Reference |
Assessment Correlation |
|
01 |
Recognize, define and notate the following tempo terms: largo,
andante, moderato, adagio, allegro, ritardando, accelerando,
a tempo |
Mass in G, Schubert |
TMA |
|
02 |
Recognize, define and notate the following musical terms: tutti,
sacred, secular, A Cappella, unison, subito, al fine |
Music Language and Fundamentals, Appendix 1 |
TMA
TO |
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Unit 6
|
Reading and Notating Music, Music Literacy |
Semester 2 |
|
Instructional Objective
1071.06 Students will be able to demonstrate understanding
of the reading and notating of music. |
Standard Reference
N-5: a, b ,c , e,
6: b
973.01a, 973.03a |
|
No. |
Performance Objective
|
Resource Reference |
Assessment Correlation |
|
01 |
Identify and label the appropriate keys on a drawing of the
piano keyboard |
Music Language and Fundamentals, Chapter 1 |
TMA |
|
02 |
Identify aurally whether the music is major or minor |
Cum Sancto Spiritu from Gloria, Vivaldi The
Coventry Carol, Rodgers |
TMA
TO |
|
03 |
Identify aurally intervals of the Tritone, m3 and M7 |
|
|
04 |
Notate various melodic and rhythmic dictation |
|
|
05 |
Compose original melodies in major keys |
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|
06 |
Count, clap, and tap rhythms that include tied notes |
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|
07 |
Count, clap, and tap complex and compound rhythms using tied
notes |
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08 |
Count, clap, and tap and rhythmic examples in 6/8 meter |
|
|
09 |
Demonstrate conducting in both triple and duple groupings of
6/8 including preparatory beat and cut off |
When Johnny Comes Marching Home, H. Carey (American
Folk Song) |
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Unit 7
|
Rehearsal and Performance |
Semester 2 |
|
Instructional Objective
1071.07 Students will identify and demonstrate the following
rehearsal and performance objectives. |
Standard Reference
N-1: a, b, c, f, 3:
c, 5:
a, b, c, d, e
971.01a, 973.03a, 975.02a |
|
No. |
Performance Objective
|
Resource Reference |
Assessment Correlation |
|
01 |
Demonstrate singing correctly voiced and unvoiced consonants
used in the English language |
Shenandoah, Traditional |
TMA
TO |
|
02 |
Demonstrate blending within the ensemble attending to pitch,
volume, and vowels |
Ubi Caritas, Leavitt |
|
03 |
Demonstrate sightsinging complex two part or three part homophonic
selections |
Masterworks Press Sightreading Series |
|
04 |
Identify and demonstrate peer assessment of sightsinging |
|
|
05 |
Improvise original melodies over given chord progressions, each
in a consistent style, meter, and tonality |
|
TO |
|
06 |
Demonstrate singing with musicality as well as technical accuracy
creating an aesthetic experience for the performer and the audience |
|
TMA
TO |
|
Instructional Objective
1071.08 Students will identify instruments and musical examples
from the six major time periods of music history. |
Standard Reference
N-6: a, b, 8:
a, b, 9: a, b, c
971.01a, 971.02a, 973.01a, 973.03a |
|
No. |
Performance Objective
|
Resource Reference |
Assessment Correlation |
|
01 |
Identify and demonstrate an understanding of instruments from
the six major time periods of music history (Medieval, Renaissance,
Baroque, Classical, Romantic, and 20th Century) |
Music! It’s Role and Importance in our lives, Chapters 23,24,
25 |
TMA
TO |
|
02 |
Identify and demonstrate an understanding of aural musical examples
from each time period |
Music! It’s Role and Importance in our lives, Compact Disc Examples |
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Music curriculum e-mail
contact:
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Boise
School District
8169 W. Victory Rd., Boise, ID 83709 |
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District of Boise City
All rights reserved |
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